535 Table à Plateau Interchangeable
The original, historic model
was created in 1937 for Charlotte Perriand’s workshop in Montparnasse. The base
consisted of three circular legs joined by crosspieces which supported the
tabletop. This, as the name implied, was interchangeable. A project designed to
be used in various ways; in fact, the model would be used in many of Perriand’s
other subsequent projects, from the Japanese-inspired projects of the 1940s,
with tops or woven trays made with local materials, to the living rooms of the
Unité d’Habitation flats in Marseille. The Table à Plateau Interchangeable,
today part of the Cassina I Maestri Collection, has also been developed for
outdoor use. The outdoor version, in two sizes like the indoor model, has a
solid teak structure and top in Carrara marble with oil-water finish.
About Designer | |
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Charlotte Perriand |
Charlotte Perriand full membership of that avant-garde
cultural movement which, from the first decades of the twentieth century,
brought about a profound change in aesthetic values and gave birth to a truly
modern sensitivity towards everyday life. In this context, her specific
contribution focuses on interior composition, conceived as creating a new way
of living, still today at the heart of contemporary lifestyle. In the sphere of twentieth century furnishing history,
the advent of modernity made possible the entrepreneurial audacity of this true
reformer of interior design. At the beginning of her professional career she
was acclaimed by critics for her Bar under the roof, exhibited at the Salon d’Automne
in 1927 and constructed entirely in nickel-plated copper and anodized
aluminium. In the same year, when she was just twenty-four years old, she began
a decade-long collaboration with Le Corbusier and Pierre Jeanneret, at the
famous design studios at 35, rue de Sèvres in Paris. Her presence in the Le Corbusier studio is visible in
all the furnishings designed with him and with Pierre Jeanneret: and so
Charlotte Perriand becomes a cornerstone in the reformation project promoted by
the architect, adding a distinct dimension of humaneness to the often cold
rationalism of Le Corbusier. In her creations she manages to animate the
fundamental substance of daily life with new aesthetic values: in particular
her talent and intuition in the discovery and use of new materials manifest
themselves to their full extent. The ten-year long collaboration with Le Corbusier and
Pierre Jeanneret, and her Japanese experience, represent periods of intense
creative effervescence in the life of the artist. During her long stay in the
Far East (‘40-‘46), she reveals her artistic talent to the full, through a
reinterpretation of the reality of life to echo both tradition and modernity.
By way of example, worthy of mention are the furnishings produced using
traditional bamboo processing techniques, capable of enhancing the new forms
already experimented using steel-tubing. After her work as a professional, she concentrates on
a series of original and balanced productions, commissioned by top-level
authorities and leading companies of the calibre of Air France, and by a number
of foreign organizations, authenticating the fame she had by now gained on the
international scene.
The distinguishing factor of Charlotte Perriand’s
personality is a sincere loyalty to the principles of humane and innovative
rationalism, preserved intact in her projects, on which she worked with such
passion, also in readiness for their revival in the “Cassina I Maestri”
collection. |