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KK96620 FAABORG CHAIR

Widely regarded as the first Danish modern design classic, the Faaborg Chair ushered in a new era for Danish design, creating a foundation for the Danish Modern phenomenon that emerged onto the global stage in the 1950s.

The young Klint meticulously considered every aspect of the Faaborg Chair to ensure it fulfilled its intended function, arriving at a light and portable solution that allowed museum visitors to position the chair before artworks they wished to study in greater detail.

The Faaborg Chair's unadorned design and the unity between its structure, materials and function set it apart from its predecessors while showcasing Klint's traditional design values and modern approach.

The chair is crafted from solid wood and features handwoven French canework on the rounded backrest.

About Designer
Kaare Klint

Kaare Klint (1888-1954), the man behind classics such as the Safari Chair and the Faaborg Chair, is considered the father of Danish furniture design. For Kaare Klint, the son of architect Peder Vilhelm Jensen-Klint, exposure to architecture was a natural part of his early development. However, it was primarily as a furniture designer that Kaare Klint made his mark on Danish architecture.

Kaare Klint was born in 1888 in Frederiksberg and designed his first furniture in 1914, for the Faaborg Museum. From the beginning, Klint's furniture was characterized by harmony between his choice of form and materials, often inspired by earlier styles or other cultures.

Klint helped found the Royal Academy of Fine Arts Furniture School in 1923, and was appointed professor there in 1924. In this role, he inspired and taught a number of prominent Danish furniture designers, who went on to pave the way for the golden age of Danish design, from 1945 to 1975.

Kaare Klint also founded the Furniture and Spatial Design Department at the Royal Academy of Fine Arts, where he employed a teaching method considered radical in his day. He asked students to construct furniture items from the inside out, based on thorough pre-analysis. The outward style was less significant; instead, the focus was on function analysis, choice of materials, and material processing.

Klint's influence led to a comprehensive renewal of Danish furniture design. He demanded clear and logical structures, with nothing superficial - only honest, pure lines, the best materials, and genuine craftsmanship.