833 Cavalletto
This table, with its minimal
lines and an extremely light look, underscores the extensive thought, by Franco
Albini, and the advanced wood-working skills, by Cassina, that went into its
creation. Its stability based on the principle of opposing forces, the
frame looks improvised, volumes and weights having been reduced. Cavalletto,
which means trestle in English is assembled using two tensioning rods in
burnished brass that also serve for bracing. The intricate construction
process, executed by Cassina’s carpenters, illustrates the excellence of the
wood-working skills of the craftsmen of Meda. Offering an extremely refined
interpretation of form, this vision of elegance shows Cassina’s customary
attention to detail extending to the metal parts, not to mention the border
trim on the table-top.
About Designer | |
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Franco Albini |
He was a major figure in the Rationalist Movement,
excelling in architectural, furniture, industrial and museum design. After
receiving a degree in architecture from the Politecnico di Milano in 1929, he
worked with the Ponti and Lancia design studios. His work for the magazine
Casabella also played a key part in his development, marking his conversion to
the Rationalist Movement and his becoming its spokesman on the Italian cultural
scene. When he set up
his own practice in Milan in 1931, he took on the challenge of workers’ housing
and continued in this vein after the war, thanks to the opportunities offered
by the reconstruction projects he worked on with Franca Helg from 1952. During the
1940’s, Albini expanded his collaboration with Cassina, which started with
chair designs that paved the way for his signature style. He also pursued his
furniture designs with other firms, such as Poggi. Milan and
Genoa form the geographical axis where Albini left his strongest imprint. For
the Lombard capital, he planned the development of the stations on Line 1 of
the city’s subway system (1962/63), in collaboration with graphic designer Bob
Noorda. His numerous urban development and building projects for Genoa include
the Palazzo Bianco (1949/51), Palazzo Rosso (1952/62), and Tesoro di San
Lorenzo (1952/56) museums. Franco Albini
was the recipient of many honors in recognition of the importance of his
cultural contributions. Among others,
he is a member of the INU, the CIAM, the AccademiaLigustica di Genova, MOMA in
New York, the ADI, the Accademico di S. Luca, the Fondazione Pagano and the
London Royal Society of Arts. He also
received numerous prizes, including the La Rinascente-Compasso d’Oro for the
design of the Luisa chair (1955), the Bronze Medal from the Parson School in
New York (1956) for his contribution to industrial design, the Olivetti Award
for Architecture (1957), the Gran PremioNazionale La Rinascente-Compasso d’Oro
(1958), the La Rinascente-Compasso d’Oro Award for the Milan Line 1 Subway
project (1964), and the Royal Designer for Industry title awarded by the London
Royal Society of Arts (1971). In all his
work, from home furnishings to industrial and museum design projects, Franco Albini
always instilled a logical consistency, an extreme purity of expression and
exceptional ethical and historical integrity.
The
architectural and design work of Franco Albini represents a keystone of the
Italian architectonic culture from the early 20th century through his intense
activity revolving around a creative and rigorous approach to composition and
building that expresses a particularly high degree of estheticism. |